This article focuses on a work published in 1883 by a German Christian press associated with a missionary society.The book provides a visual panorama of all the world’s cultures in 1,690 engravings. Most images were reproductions of material that had initially appeared in a variety of other contexts, ranging from missionary periodicals to secular travel magazines and British colonial literature. This study examines the message that the volume’s editors wanted to convey: the extra-European world was portrayed as devoid of historical agency, non-Christian religions as false, and the presence of western agents – in particular, missionaries – as providential. Retracing the life story of a few images, I show that some of them communicated these notions better than others. For example, engravings based on photographs were often not as polemical as those based on drawings, simply because of the characteristics of photography as a medium. Complicating the critical reading of the images as simply missionary propaganda, I argue that a volume like the one examined here is best understood when placed within a transnational (or connected) history of visual practices.