Main Article Content
This essay argues that social criticism may be an effect of Frederick Wiseman's "reality fiction" films only if that effect is understood as analogous to parable, that is, through an awakened responsiveness to the unknown and the unresolved. Here I develop the analogy of Wiseman's films as parable that I begin to consider in an recently published essay "Silence-effects: Frederick Wiseman's films as parables" which explores the idea of parables and Wiseman's films as "silent": disturbing narrative explanation and creating new possibilities of relation, human and animal. The present essay looks at Wiseman's filmic techniques used to intimate these relational possibilities (portraiture and, using Davide Panagia's term, "democratic noise") and contends that his unflinching realism effectively opens up a space of parable with its vision of reciprocity and more-than-reciprocity.
How to Cite
FABER, Alyda. Film, Parable, Reciprocity: Frederick Wiseman's "reality fictions" and Social Change. Journal for Religion, Film and Media (JRFM), [S.l.], v. 2, n. 2, p. 69-98, nov. 2016. ISSN 2414-0201. Available at: <http://jrfm.eu/index.php/ojs_jrfm/article/view/60>. Date accessed: 21 mar. 2018. doi: https://doi.org/10.25364/05.2:2016.2.5.
parable, reciprocity, Wiseman, social change
Articles - Open Section
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
By submitting a paper, the author(s) agrees that:
- The copyright for a published article in its wording remains with the journal for three years; afterwards, it falls back to the author on condition that the article may remain in the archived issue of the journal.
- All rights on the object described in said article remain with the author. However, the author has to agree that s/he will not publish another publication on an identical subject in another journal within one year of submission of the article to the JRFM.
- The author is responsible for clearing copyright issues that may emerge from images and/or media clips s/he uses in her/his article.